Pattern: Patterned watch cap, with the Double Irish Chain pattern, from Robin Hansen’s Favorite Mittens.

Yarn: Two skeins of Colinette Cadenza, in Slate, $10/skein; 1 skein of white Zara Merino extrafine, $10; both from Downtown Yarns. If you make the brim shorter, like 1.5″ and no pompom, you could probably get away with one skein of Cadenza.

Needles: Size 4 Hiya Hiya bamboo 16″ for brim, size 8 Balene plastic 16″ for stranded colorwork, size 5 Clover bamboo 16″ for the stockinette top, and size 6 Boye DPNs for decreases. (The DPNs and stockinette top should have been on the same size needle, but I didn’t have a size 6 16″ or size 5 DPNs, hence the change.)

Project started/ended: November 10 to November 16–5 days from cast on to cast off, with 1 more day for the pompom!

This is my first stranded project–whee! I think I did a pretty good job. I’ll have to take a photo of the insides so you can see the floats. The Colinette Cadenza yarn color is beautiful–I felt sad to have to interrupt it with the pattern, but nothing was going to stop me from fair-isle-ing!

I enjoyed learning how to do stranded knitting, but I was shocked because I am normally a loose knitter, and have to go down two sizes from the recommended gauge, but on the stranded knitting, I had to go up two sizes to make the gauge. Robin Hansen’s book is very clear and helpful about how to do the actual knitting, and all in all, it went pretty well. (There were two periods of knitting rage: once, when I couldn’t get gauge and the second time when I couldn’t figure out how to decrease within the pattern–hence the solid top.)

My last two projects were with rougher yarns, so I was shocked how soft the merino felt. It was like butter! Here’s a blocking shot:

The hat is blocking over a tupperware bowl (one of a set, the smaller size is to the left) balanced precariously on a drinking glass placed over a Ms. Bento container. (P.S. That sink’s rusty corner once cut Adam’s finger so deep we had to go to the emergency room. This was early on in my knitting career, so I was actually kind of excited because I got to knit during the 4+ hours we waited, before they finally gave him stitches.) It was cool this weekend, so to speed up the drying, I started blow-drying it. You know you’ve reached a stage of insanity in your life when you’re standing in a bathroom, blow-drying a hat pulled over a bowl, balanced on a glass, on top of a thermos.

Anyway, the scarf, at least, has been having a mildly interesting life, even if its knitter has not. Here, it and a Claes Oldenburg shuttlecock get ready for lift-off, at the Nelson-Atkins Museum of Art, in Kansas City, MO.

Here, it watches the New York City Marathon.

Here is a funny bit of news about how an elderly lady who was slashing her neighbors’ tires (because she thought too many people were parking in her neighborhood) was sentenced to knitting sweaters for all of her “victims.” [via The Rainey Sisters] On a semi-related note, I was reading my Folk Mittens book, and it mentioned that in certain cultures, children were not allowed to go out and play until they had knitted a certain amount of rows (I think the Faroe Islands) and that brides were expected to knit mittens for all of their wedding guests (I think Latvia).

I’ve had a couple people suggest that I sell some of my projects, and I’m like, um no, because then I would turn into a sweatshop serf at home, instead of having a fun little hobby. I would guess that’s how people who had to knit might feel, instead of those who do it for fun. Here, obviously, is the place to link again to that Freakonomics article about knitting, with the salient quote being, “Whether or not you’re getting paid, it’s work if someone else tells you to do it and leisure if you choose to do it yourself. ”

Though on a side note, I am actually rather fascinated by the economics of how people try to make money from their knitting hobby, particularly designers. Sometimes I think that the knitting designers (on the Ravelry boards, at least) seem to get all up in arms about things like copyright, in an attitude very similar to freelance magazine writers. I was a full-time freelancer for a while, and still do some stuff on the side sometimes, and I’ve found that freelance writers seem to get upset (on message boards, at least) in the same way as knitting designers. In a way, I think it’s because neither profession is particularly profitable, so people get outraged about copyright infringement and all-rights contracts (hot topics for both designers and writers) because they need to hold on to every dollar they can. Sometimes I think the better solution would be to (a) find a more profitable line of work and/or (b) look at the future of their business and actual challenges they’re facing. I think the internet has really changed the notion of access and copyright, and for lack of a better term, the “knowledge economy.”

The internet had totally changed something like knitting. In ye olden times, people pretty much knit what their neighbors and families knit, and then when books and magazines became popular, maybe people learned from that. But the internet has totally broadened people’s knowledge of techniques and styles, and more importantly, provided that information mostly for free. I mentioned to Adam yesterday over dinner that I was interested to see how Twist Collective does, compared to Interweave [an internet-only magazine, versus a traditional print magazine], and he said, correctly, I think, that Interweave should be much more worried about Ravelry. Ravelry allows you to search with such speed and ease for patterns for pretty much anything that you want, whether free or paid, that it has become a de facto crowdsourced knitting encyclopedia. For freelance writers and knitting pattern designers, their specialized knowledge has become almost obliterated by everything from Wikipedia to Ravelry.

For something like a medical problem, I would still prefer to go to a doctor who went to medical school, rather than trying to self-diagnose myself, but I think many less-specialized forms of knowledge have shrunk in value, as a direct result of the information posted for free on the internet. So, on that cheerful note, I suggest that all of my readers learn a new skill to see them through the economic recession. Or go to medical school.

I voted and I knitted.

I was going to write up a free pattern for these mittens, but I have been busy with work and life, (and being obsessed with the election, like the rest of the country), so I’m just going to show them off. The cables are from The Harmony Guides: Cables and Arans, which Adam gave me for Christmas last year (along with the knit and purl volume of the guides). Let me say that I like this book and its clear photos, instructions, and charts. However, it is organized in an extremely illogical way. These two cables, WHICH ARE CLEARLY THE SAME CABLE, mirrored, are separated by a number of pages. I’m not sure whether the editor of the book decided to trick the reader by not grouping together related cables (and techniques) so that the reader would think they were getting more for their money than they really were, or he/she/they had some sort of life/work melt down, and just decided to throw all the pages together haphazardly, and be like, eff-it, here you go. So, though I like the book, I am warning you that it could be improved, organization-wise.

Pattern: My own. I’m calling them Waffle House Mittens, because the cables look like half a waffle. And I like Waffle House, though sadly, I do not live in the South, and thus, never get to go there. Why New York City does not have a cheap grits-to-go place is a tragedy I cannot understand.

Yarn: Less than 1 skein of Cascade 220 Heathers, color: 9452/summer sky. $7.25 from Purl. This is a common yarn, so you can probably get it cheaper somewhere else, I just happen to like Purl.

Needles: Size 3, Susan Bates. I knit super loose though, so the gauge on these is 21 stitches=4″ in stockinette.

Project started/ended: October 18 to 26. This was a quick project, it took me three days to knit each mitten.

Modifications: Well, this was my own pattern, so I don’t really think they were “modifications,” per se, but on the first mitten, my thumb gore came out weird because I increased every other round, which made my thumb look like it had a goiter. Also, the cuff was a little loose. I fixed this on the second mitten, by, respectively, increasing every third round, and knitting less stitches on the cuff, and then increasing before starting the hand, but then I decreased the top a little too pointy, even though I took notes on the first to try to make it the same. If you can knit a basic mitten, all you have to do is stick in the cables (on pages 100 and 104 of the new version of the Harmony Guides: Cables and Aran), but remember that if you’re knitting in the round, you’ll have to adapt the pattern a bit. (On even rounds, read the instructions from right to left, reversing knits with purls, and purls with knits, and crossing the cables in the front, instead of the back.)

Photo shoot notes: These photos were taken at Old Stone House, Brooklyn, which is a recreated version of a Dutch stone house located on the site of a Revolutionary War battle. Once, revolutionaries roamed Park Slope. Now, just yuppies.

I was tipped off to my secret super powers when I noticed that I would occasionally get a comment on that post, and when I noticed that it was turning up as a fairly common search term on my stat analytics. Basically, Black Mountain Weavers does not really have a web presence, so whenever anyone googled the store, my blog post would come up as the second item. So my somewhat flip assessment of the store was transformed, via the power of the Google search engine, from a review read by the three people who read my blog, to The Review that anyone looking for info about this store would read.

I don’t necessarily think my assessment of the store was unfair–it did have a pretty small and rather pricey selection–but I reviewed that store fairly early on in my knitting store reviews, and I didn’t necessarily have a sense of the full range of the prices common to indie yarns. Also, I visited it before I read Clara Parkes’ The Knitter’s Book of Yarn, which had a paragraph that I found particularly persuasive: “I’m always on high alert for anything indicating small-scale, locally produced yarn. Not only is it a chance  to get something totally unique in an age of increasing conformity, but it’s a small way to validate and support what these farmers are trying to do…by supporting a sheep farm–by making even one purchase a year–you’re helping sustain an important business and a rapidly disappearing agricultural way of life. You’re also helping ensure a richer, higher-quality variety of yarns for all knitters.”

Adam calls the woo version of the food movement “sustainorganica,” and though it’s easy to make fun of, and not necessarily what I want all the time (I went through a period of addiction to McDonald’s Fillet-O-Fish, despite having grown up in the  “sustainorganica” capital, San Francisco), I think the movement does have worthy goals. So, I put my original review in strike-through and moved it to the bottom of the post, so it wouldn’t show up “above the fold” on Google searches, and tried to write a slightly more neutral review of the store so that knitters who are interested in the store will not necessarily be dissuaded from visiting it.

I don’t necessarily agree with some of the comments on that post, but I think the real lesson is not whether you should or should not support independent yarn spinners and dyers, but rather, how all businesses need to make the internet work for them, not against them. Even if you are some sort of live-off-the-land business or one that was created as a response to our overly technical world (not that that is necessarily Black Mountain Weaver’s philosophy, just a hypothetical), it is important to establish a strong web presence so that when people search for you, they will find how YOU want to be represented on a Google search, instead of a third-party’s opinion. This includes learning how to properly tag and program your posts, so that your page will show up high on the Google rankings. Whether you like it or not, the internet is the future, and any business that wants to survive needs to be aware of the power of customer-generated comments, whether on their own blogs or user-generated sites like Yelp.

Anyway, we went to Kansas, Adam’s homestate, a couple of weeks ago, and I managed to finangle some yarn store visits in between the barbeque and Tylenol Cold–induced naps…I got off the plane totally sick! I did a little research on Ravelry, on their Kansas City group boards, which had some good suggestions. So here’s a quick summary of the ones I saw:

THE STUDIO

Address: 1121 W 47th St
Kansas City, MO
Phone: (816) 531-4466

Website: thestudiokc.com

Also sells: Needlepoint canvas and supplies.

This was the first store I visited, and I was trying to assess its quality (to better budget my souvenir yarn  buying) so I hassled Adam (who had visited Yarn Barn before) for his opinion. He said, “The Studio is to Purl as Yarn Barn is to School Products.” I was amused that he had been coerced into so many yarn store visits that he could make this analogy. When pressed he said, “Yarn Barn might have more yarn, but it looks like this store has a higher-quality selection.” And it was true, this store definitely had the most sophisticated selection, of both colors and brands, of all the stores we visited. Their owner/buyer has a good eye, I think. The store itself was also a nice, located on the corner of a little shopping area, just west of the Plaza. It was actually quite big as well, and there were a few customers sitting around knitting and chatting, and one of them swore up and down that this was the best yarn store in KC. The owner (I think that was her behind the counter) was also quite friendly.

(Yarn Barn is not actually spookily green…I think it’s just that this photo was taken at night when a street light shone on it.)

YARN BARN

Address: 930 Massachusetts St
Lawrence, KS 66044
Phone: (785) 842-4333

Website: yarnbarn-ks.com

Also sells: Looms and weaving supplies.

I was definitely wanted to visit this one because it was called Yarn Barn. Hello! Barn of yarn! Awesome name. Yarn Barn is in Lawrence, home of KU, Adam’s alma mater and winner of the 2008 NCAA men’s basketball championship, aka as the game that transformed Adam into a crazy sports fan. He gripped my arm so tight during the final minutes that I thought it might fall off.  Yarn Barn is quite big, and probably had a pretty big selection of yarn. It did not necessarily have the most sophisticated selection–I just felt it had more of a workhorse selection of yarn than The Studio. This is probably a good store for sweater knitters–they seemed to have a large selection of a lot of solid, basic yarns.

Yarn Shop and More

Address: 7309 West 80th Street
Overland Park, KS 66204
Phone: (913) 649-YARN

Website: yarnshopandmore.com

This shop was recommended by Adam’s friends, who live close by. This store organizes their yarn by color, which personally, I found a confusing system. I picked up a skein of Dream in Color, and wanted to see what other colors they had, but it was hard to figure out easily or quickly. I didn’t spend a lot of time in this store because we had just spent hours eating barbeque, and I was a little tired, but it did seem big, though a little sparse. That impression might have been because that they had a lot of cubbies, but they weren’t packed to the gills. (I like stores that pack their cubbies full.)

There was a big list on the Kansas City Knitters’ board on Ravelry that I found helpful, complete with addresses and store hours, so I would recommend that as a yarn resource if you are going to the Sunflower State. Next time, I’ll probably try to hit up more places mentioned in the Design*Sponge Kansas City guide too.

On a different note, what is happening with Wall Street? Yikes. I went to college here in the city, so I’ve always had friends on Wall Street (and I even interviewed with Merrill Lynch years ago, right after graduation). The crisis doesn’t feel distant for me. Sometimes I get the feeling that people think of New York as this far-off place, filled with so-called hoodlums and elites, people who aren’t, to use an awful phrase, “like us.” Well, this is us. Hoodlums and elites both, I guess.

Anyway, onto the knitting, which is a bit like fiddling while Rome burns, but this is a knitting blog, after all.

Pattern: Aran Island Mittens, by Marcia Lewandowski, from Folk Mittens

Yarn: Patons Classic Wool Merino, about 1/2 ball. I think this was $7/ball.

Needles: size 3 DPNs, Susan Bates

Project started/ended: A long time ago? Maybe March or April of 2007, finished September 14, 2008.

Notes and Modifications: I developed serious Second Mitten Syndrome with this project. First of all, the gauge with worsted-weight wool is totally impossible, so I chopped off the side cables from the front. (I also eliminated the cuff cables because I thought they were ugly.) Secondly, I couldn’t figure out how to make the thumb, so I made an afterthought thumb, but that ended up pulling the palm’s patterning askew. So I was all “ugh” about making the second mitten. But last week I buckled down and made the second one–in just one week! They’re my first real cabling project and first closed-top mittens, so I think they could use some improvement, but at least I finished them, phew.

And on a final David Foster Wallace note, it’s worth getting a copy of his essay about John McCain running against George W. Bush in 2000–it’s a great read, and very apt for this year’s presidential season. *

* Though worth noting that DFW acknowledged that the 2008 McCain is not the same as the 2000 McCain.

Pattern: Jaywalkers, by Grumperina

Yarn: The elusive Regia Nation 5399, aka Rainbow. This color is a little hard to find (and now discontinued) so I grabbed two skeins ($8/each, for a total of $16) when I saw them at The Point.

Needles: 0 and 1, Susan Bates

Project started/ended: Started July 3, finished September August 30

Notes and Modifications: Since everyone has knit a pair of these (and many people in this colorway), I’m not sure anyone needs my notes, but here they are!

I cast on for the small/medium size and knit following the instructions for the red and orange stripe with a size 1 needle. Then I switched to a size 0 needle and knit for yellow and green stripe. Then I decreased eight stitches by working one row without the k f/bs, allowing the decreases to be hidden within the pattern. When I got to the purple stripe, I switched back to a size 1 needle (to try and increase the ankle area a bit, even though it’s still tight), and then back to a zero once I had made the heel flap and started turning the heel.

When I got to the toe, I knit a round toe, making six evenly spaced decreases (k2tog) every other row, because I find that the regular toe suggested in the pattern often results in stretched out sides when worn. Just something new I am trying.

I found this blog dlittlegarden that had a funny tagline: “Ugly things: all made by hand.” I’m like, hah! That should be the name of my blog.  Recently I’ve been thinking of knitting a dickey, and I realized that I may have totally lost my mind. I wish that I, like Brooklyn Tweed, only knitted beautiful and elegant items, but instead, I’m like ooh! Loud sock yarns! A hat connected to a scarf! Maybe a dickey! Knitting makes me weird, lose all taste, and turn into a granny living in the 1970s. I’m like a werewolf of tackniness; when I’m exposed to knitting, it turns me into a lover of weird shawls and other useless items.

This sock progress shot is actually from last week, I’m almost done, though not quite finished with the second sock. I have been watching a ton of Olympics and I think the commenters’ style of announcing is drilled into my head: “She’s approaching the heel turn, look at that precision! The picking of the stitches! Oh no! She’s dropped a stitch. A HUGE mistake, easily 8/10ths off. This may cost her a place on the medal stand.”